Nov 23 2024 - March 2 2025 | In the Symbols | Wuhan, China
Nov 23 2024 - March 2 2025 | In the Symbols | Wuhan, China
Yiwei Gallery is pleased to our participation in ZⓈONAMACO from Feb 5-9 in Mexico City. Curated by Bernardo Mosqueira (Rio de Janeiro, 1988), the EJES section interrogates the concept of freedom through critical and poetic perspectives, presenting works that explore its boundaries and relevance in today's world. We will present four artists from our gallery program, Nina K Ekman, Vita Kari, Joaquín Stacey-Calle and Momo Wang. The featured artworks include oil on canvas, ink on wood panels, textile, embroidery, and sculptures.
Nina Ekman is a Norwegian visual artist residing in Copenhagen, Denmark, and California, USA. Her work draws inspiration from the intricate relationship between nature and humanity, deeply rooted in her upbringing in northern Norway. Ekman explores themes of human influence and consumerism on nature through her diverse practice, which spans painting, textile sculpture, and etching.
Ekman's textile sculptures initially captivate with their vibrant colors and soft textures, yet they offer much more. Her works delve into themes of plant life, ecosystems, and societal healing. By using over 90% recycled textile industry yarns, Ekman addresses the scars industrial production leaves on nature. Through creating textile plant sculpture in varied forms, thriving or wilting,
Ekman challenges anthropocentric views, urging reflection on humanity's impact on broader ecosystems. Her art restores the essence of nature to a world increasingly devoid of its vitality, emphasizing the healing power of plants and nature, as she states, “We need them [plants] far more than they need us.”
Nina K Ekman
PALMA # 3, 2022
Tufted Deadstock Yarn, Wood
103" x 54" x 4"
261.62cm x 137.16cm x 10.16cm
Nina K Ekman
Palmae Petite, 2024
Tufted deadstock yarn, concrete, metal wood
89cm x 70cm x 60cm
Nina K Ekman
Cactos #2, 2024
Tufted deadstock yarn, wood, repurposed news paper
13.4" x 15" x 15"
34cm x 38cm x 38cm
Nina K Ekman
Les tulipes fanées ne refleurissent pas III, 2024
Double-Sided Hanging
Embroidery, Painting, Punch Needle
78.7"x 72" x 1"
200 cm x183 cm x 2 cm
Nina K Ekman
La Chute (bending palm), 2025
Double-sided hanging embroidery, painting, punch needle
74.8" x 38"
190 cm x 97 cm
Nina K Ekman
L’éclatement, 2025
Double-sided hanging embroidery, painting, punch needle
48.4" x 46.5"
123 cm x 118 cm
Vita Kari (1994, Los Angeles), is a non-binary artist, a social media star, and a 2024 graduate of Otis College of Art and Design. Renowned for their immersive performance work involving technology and illusion, Kari's artworks explore diaspora, intergenerational connections, and digital identity, garnering millions of online followers. Textiles pay homage to their grandmother’s rugs, symbolizing their family's migration from the Middle East to their Los Angeles upbringing. The techno-fabric wall-works along with the rhinestone-encrusted hamburger installations represent the complex reality of the American Dream in Hollywood: a culture of pop, fakes, cheap pomp, and fast-food. Together, Kari creates a cohesive narrative bridging cross-cultural heritage and contemporary digital experiences.
Vita Kari
the d is lowercased, sorry, 2025
Fabric Paint, Digital Jacquard, Archival Frutiger Metro, Rhinestones, brushed aluminum
101.6cm x 76.2cm
40" x 30"
Vita Kari
Watching Gilmore Girls (Diptych), 2025
Fabric Paint, Digital Jacquard, Archival Frutiger Metro, Rhinestones, brushed aluminum
167.64cm x 121.92cm
66" x 48"
Vita Kari
Hotness Over Heaven, 2025
Fabric Paint, Digital Jacquard, Archival Frutiger Metro, Rhinestones, brushed aluminum
121.9cm x 81.3cm
Vita Kari
Watching Gilmore Girls on Mute: No Hearing Aids, Just Captions, 2025
Fabric Paint, Digital Jacquard, Archival Frutiger Metro, Rhinestones, brushed aluminum
167.64cm x 81.28cm
66" x 32"
Vita Kari
Watching Gilmore Girl With Prism Glasses, 2025
Fabric Paint, Digital Jacquard, Archival Frutiger Metro, Rhinestones, brushed aluminum
167.64cm x 40.64cm
66" x 16"
Joaquín Stacey-Calle (he/him/they, b.2000, Quito, Ecuador) is an interdisciplinary artist working with painting, performance, installation, microbes, photography, and food. He graduated with a BFA from Florida International University in 2022 and received his MFA from Otis College of Art and Design (CA) in 2024. Stacey-Calle develops conversations around history, identity, memory, representational and landscape painting, daily rituals, Western ontology, and the human condition. He is interested in the digestion and fermentation of his quotidian surroundings and the cultural productions he has consumed throughout his life. Like his understanding of his diasporic self, his work is rooted in memories of his home and life in Ecuador, Miami, and Los Angeles and then tethered to a new experience of unfixed imagery and materiality that remains ever-changing. Lately, he has been exploring the importance of forgetting, confusion, and ignorance concerning the definition of thought.
Joaquin paints evocative scenes that fuse the sacred and the mundane aspects of life, both as a metaphysical exploration and an intimate outlook on life. Through erasure, exposed surfaces, and porous materials, Stacey-Calle’s work fosters fluid connections with the world, challenging rigid narratives and inviting new embodiments and desires.
Joaquín Stacey-Calle
No belly button, 2024
Oil on canvas
58.42cm x 27.9cm
23" x 11"
Joaquín Stacey-Calle
No belly button 2, 2024
Oil on wood
61cm x 20.8cm
24" x 20"
Joaquín Stacey-Calle
Corazón, 2024
Oil on canvas
61cm x 45.7cm
24" x 18"
Joaquín Stacey-Calle
Maria 2, 2024
Oil on canvas
61cm x 45.7cm
24" x 18"
Momo Wang (b.1985) is an LA-based artist, innovative filmmaker and creative director, best known as the creator of Tuzki, an iconic character cherished globally and featured in collaborations with leading brands such as Warner Bros., Tencent, and Motorola.
Born in Penglai, Shandong, she grew up in an artistic family and trained in traditional Chinese painting from the age of four. She later earned an MFA in Experimental Animation from CalArts, where she refined her artistic approach. Momo’s work has shown in Yiwei Gallery and San Francisco Art Fair.
Momo’s work blends ancient Chinese mythology with contemporary visual storytelling, including Chinese ink line drawing, Tibetan Thangka art, and Pop Art. Drawing inspiration from Shan Hai Jing (The Classic of Mountains and Seas), Momo reimagines mythical creatures through daring and innovative designs. Each figure she creates serves as a profound embodiment of humanity's most primal emotions, transcending cultural and temporal boundaries.
Beyond her own practice, she supports emerging artists through the Momo Wang Scholarship at CalArts. She was inducted into the Asian Hall of Fame for her contributions to art and animation. She also speaks on the evolving role of AI in filmmaking at international forums such as CES(Consumer Electronics Show).
Momo Wang
Zodiac Series 3:Dog, 2025
Natural material , 24k gold leaf, metallic ink, on wooden panel
40.64cm x 61cm
16" x 24"
Momo Wang
Alebrije Series: 1, 2025
Natural material , 24k gold leaf, metallic ink, on wooden panel
30.5cm x 30.5cm
12" x 12"
Momo Wang
Alebrije Series: 1, 2025
Natural material , 24k gold leaf, metallic ink, on wooden panel
30.5cm x 30.5cm
12" x 12"