Nov 23 2024 - March 2 2025 | In the Symbols | Wuhan, China
Nov 23 2024 - March 2 2025 | In the Symbols | Wuhan, China
Dai Ying, born in 1983 in Emei Mountain, Sichuan, China, currently lives in New York, Los Angeles, and Beijing. Dai embarked on her artistic journey at the age of five, studying Chinese calligraphy and painting. In 2011, she committed to a full-time art practice since her move to New York, continuing to create to this day. Her academic pursuits took her to the Academy of Arts & Design at Tsinghua University and the Central Academy of Fine Arts in China, where she engaged in Associate Fellow programs.
Dai Ying's artistic endeavors span a wide range of mediums, including mixed-material canvas paintings, large installations, performance art, video, and the initiation and organization of art projects. Growing up amidst this natural, massive energy field, Dai internalized the nurturing forces of the mountain’s water and soil, which have become integral to her artistic practice. Her works explore the political and emotional interplay between the self and the world, examining how personal identity is influenced by the sociopolitical events of her environment.
Dai Ying 戴莹
M43: Udumbara, 2024
Chinese pigment, Japanese pigment, and acrylic on Chinese Xuan paper
35" x 35"
Dai Ying 戴莹
M45: Bodhi Eye, 2024
Chinese pigment, Japanese pigment, and acrylic on Chinese Xuan paper
19" x 12"
Dai Ying 戴莹
M58: Lotus Padma 1 ,2024
Chinese pigments, Japanese pigments, acrylic on Xuan paper
11" x 18"
Dai Ying 戴莹
M42: 吽 Hong 2024
Chinese pigment, Japanese pigment, and acrylic on Chinese Xuan paper
38" x 38"
Dai Ying 戴莹
M46: Mother of All Things, 2024
Chinese pigment, Japanese pigment, acrylic, and marker on Chinese Xuan paper
13" x 11"
Dai Ying 戴莹
M60: Bhakti, 2024
Chinese Pigments, Japanese pigments, Acrylic, Colored pencil on Xuan paper
11.8“ x 19”
In Dai Ying's No Dust to be Wiped 亦无坐可拂,(2023),presented by Yiwei Gallery (Los Angeles, CA/ Wuhan, China), the artist uses soil.water, and cultural symbols as mediums, transforming Eastern shamanistic ritualistic performance art to convey and highlight the rise of Eastern female energy and power through the artist's body movement as a mediator and portal.
The performance advocates forequal and peaceful relationships between people and between
humanity and the world, opposing war and any thoughts or actions that violate human rights.
"The earth is our mother, no one can live without the earth, and we will eventually end up in the soil, and our life is also nourished by the soil. Earth is the most basic substance in our life, the mother’s womb, like the mother’s strength, it contains everything and accepts everything."
"If her performances and her paintings are, respectively, the somber and joyful poles of Dai’s oeuvre, her installations are the charged field between them, integrating these emotive extremes into a complex Golden Mean."